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Tag Archive 'Humphrey Bogart'

Where To Buy Warner Brothers Warner Bros Pictures Tough Guys Collection Bullets or Ballots City for Conquest Each Dawn I Die G Men San Quentin A Slight Case of Murder starring James Cagney Ann Sheridan Edward G Robinson Jane Bryan George Raft At The Lowest Price?

Warner Bros Pictures Tough Guys Collection Bullets or Ballots  City for Conquest  Each Dawn I Die  G Men  San Quentin  A Slight Case of Murder starring James Cagney Ann Sheridan Edward G Robinson Jane Bryan George Raft

Why Buy A Warner Bros Pictures Tough Guys Collection Bullets or Ballots City for Conquest Each Dawn I Die G Men San Quentin A Slight Case of Murder starring James Cagney Ann Sheridan Edward G Robinson Jane Bryan George Raft?
Say Warner Bros. in the 30s and youre talking, first and foremost, about the tough, gritty, urban, street-smart movies that help define that American decade for us. Which means youre talking about James Cagney, Edward G. Robinson, and Humphrey Bogart: unpretty but charismatic guys with lived-in faces, and bodies that always seemed cocked, ready to spring. When one of them entered a room, he owned it, no matter how many people were there already. Their most celebrated habitat was the gangster picture. The genre didnt originate with them, but they, more than anybody else, defined it, gave it a face and a silhouette and a heartbeat.

The films in this set were produced half a decade and more after Little Caesar and The Public Enemy made stars of Robinson and Cagney, respectively, and after repeal had begun to lend Prohibition the patina of nostalgia. The studios gangster franchise was evolving, and so were the careers of its top stars. When it came to toughness, the boys could still dish it out, and take it, too. But increasingly they were doing it on the other side of the law-and-order divide.

Cagney was first to reform. In 1935s G Men he plays a lawyer put through college by the avuncular neighborhood crimelord. After a law-school pal turned F.B.I. agent is murdered, Cagney abandons his (resolutely legit) one-man practice and joins the Bureau. The film memorializes several big moments in F.B.I. legend, but whats grabbiest is the personal drama growing out of Cagneys lingering underworld friendships. William Keighley directs the murders and shootouts with jolting ferocity, Barton MacLane and Edward Pawley supply flavorful villainy, and there are times when Sol Politos cinematography literally glows (all these films have been restored, but G Men looks especially terrific). One gripe: The movie should have been presented without the F.B.I.-classroom intro tacked on for 1949 reissue (which belongs under Special Features).

In Each Dawn I Die (also Keighley, 1939), Cagney teams with George Raft making his Warners debut. Its mostly a prison picture, with muckraking reporter Cagney behind bars after being framed by crooked politicos. Career felon Raft has little sympathy for him till Cagney proves to be a stand-up guy, whereupon the two bond in mutual loathing of sadistic guards, rat-fink convicts, and the endlessly malleable system. The movie boasts one indelible scene (involving a movie screening for the cons), some evocative prison workhouse detailing, and a fine Cagney performance as always. But its undone by a script cluttered with melodrama and contrivance.

Bullets or Ballots (Keighley yet again, 1936) is much more satisfying. Again we get two icons for the price of one, with Robinson as a tough but square-shooting police detective and Bogart as the ambitious number-two man to a big-time racketeer. Bogarts effectively the co-star, albeit fourth-billed behind Robinson, Joan Blondell, and Barton MacLane. But its Eddie G.s movie, and he walks the line beautifully as an honest cop who, unjustly jettisoned from the force, signs on with the mobster hes long pursued. Despite a rhetorical reference to ballots as the publics means of combatting crime, its bullets that get the job done. Bullets and fists: the movie makes clear that Robinson has beaten confessions out of people plenty of times, just as it has no illusions about the empty symbolism of crime commissions and grand juries.

The only other Bogart vehicle in the set is San Quentin (Lloyd Bacon, 1937), a scrap-work effort below the standards of everybody involved. Bogarts a small-time crook whose arrest at a nightclub occasions a meet-cute for his big sister Ann Sheridan and Army training officer Pat OBrien–whos on his way to become yard captain at the penitentiary where Bogart will be interred! OBrien tries to reform the lad, but with corrupt/sadistic guard Barton MacLane on one side and sociopathic con Joe Sawyer on the other, Bogart never has a chance. Neither does the viewer.

Lloyd Bacon, normally one of Warners zippiest directors, is back on his game with A Slight Case of Murder (1938), a delicious gangster comedy. Robinson plays beer baron Remy Marco, who craves respectability as a legitimate businessman once beer is legal again. Problem is, nobody has ever had the heart to tell him his product tastes like varnish, and soon the bank is out to foreclose on his brewery. At which point Remy learns that his summer home upstate is full of fresh gangland corpses…. Based on a play by Damon Runyon and Howard Lindsay, the picture gives a trio of glorious goons–Allen Jenkins, Edward Brophy, and Harold Huber–a rare chance to shine as Marcos house staff.

City for Conquest (1940) ought to be the showpiece here. Its the longest and most ambitious entry, with prestige-picture scale and production values (including Polito and James Wong Howe as cameramen) and a cast including Cagney, Ann Sheridan, Arthur Kennedy, Frank McHugh, Donald Crisp, Anthony Quinn, Jerome Cowan, and–in his first of only two film performances–future directorial giant Elia Kazan. Working-stiff Cagney loves his gifted musician brother (Kennedy) and childhood sweetheart (Sheridan), a dancer with her own aspirations for the limelight; he becomes a boxer in order to pay for the brothers musical education. Triumph and tragedy ensue. The films avowed aim, and Kennedys, is to create an urban symphony of New York and the many little people striving against all odds to rise; theres even a one-man Greek chorus–Frank Craven, the Stage Manager of the recent Our Town–to hammer the theme periodically. But over the previous decade Warners honest, hard-charging, small-scale movies had collectively achieved that symphony, without the pompous flourishes Anatole Litvaks direction brings to the project. Heres hoping DVD showcases more of them. –Richard T. Jameson


  • Packin A Punch.and Packin Heat! On the heels of the success of the Warner Bros. Gangster Collection, the Warner Bros. Tough Guys Collection delivers six all new to DVD Classics featuring Hollywoods greatest Academy-Award winning Tough guys – James Cagney, Humphrey Bogart, and Edward G. Robinson. Format: DVD MOVIE Genre: TELEVISION Rating: NR Age: 012569679528 UPC:&nbs

Over 14 Five Star Customer Reviews On Amazon!

Tough guys abound in a wide variety of films
This is a great and worthy companion to the Warner Gangsters Collection. However, this collection of films is much more varied than what you found in the Warner Gangsters bunch of films. It’s not so much that we have a pre/post code comparison here of how Warner handled tough guys and gangsters in their films – there were only two precode gangster films in the Gangsters collection. Instead, we have WB’s top three tough guys of the 30′s – James Cagney, Edward G. Robinson, and Humphrey Bogart – taking the lead in a variety of roles and films that often aren’t about guys that are gangster tough, or even cop tough for that matter.

Edward G. Robinson stars in “Bullets or Ballots” and “A Slight Case of Murder”. In the first film, he is the hard-working cop turned out to pasture by a past associate the minute that associate gets a promotion. Now, suddenly past offers for employment by underworld figures in return for big bucks look pretty good. Will Robinson’s character turn against the system and department he has worked for his whole career? In “A Slight Case of Murder” Robinson ably shows his hand at dark comedy as a gangster who is made legitimate by the end of prohibition. Now he can sell his beer legitimately. The only problem is, nobody has the heart to tell him that his beer is awful.

James Cagney, Warners’ number one gangster picture star of the 30′s, shows up in three films. In “G Men” he is a lawyer who decides to go to work for the F.B.I. His education was bought and paid for by a local mobster, and thus his new associates are suspicious of him although Cagney’s legal career has been on the up-and-up. This is an action-packed film with Cagney as a new G-Man who eventually has his loyalties to his old friends somewhat tested. “Each Dawn I Die” has Cagney as a crusading journalist set up on a manslaughter charge and wrongly sent to prison by the corrupt officials he was trying to expose. Month after month passes as he is sure he will be vindicated and released – but nothing happens. Only his convict friend – played by George Raft – who escapes while Cagney is inside, can find the witness that can free him. But will Raft’s character bother to keep his promises once he is out? Cagney gives a top-notch performance of a straight guy turned bitter and hopeless as he realizes he may never get out of prison. Cagney’s final film in the set “City for Conquest” is a very good film that has little or nothing to do with tough guys and a lot to do with tough breaks and melodrama, all of which Cagney’s character gets. He and Ann Sheridan are sweethearts in a tenement district. Ann seeks escape from poverty with her dancing skills, Cagney with his boxing. Unfortunately, Cagney’s character runs across a corrupt boxer who rubs a corrosive material into his gloves to temporarily blind Cagney so he can win the match. It works a little too well as Cagney’s blindness is more than temporary. This film is a real tear-jerker that is a favorite of mine.

Finally, Humphrey Bogart headlines a very short “San Quentin” at only 70 or so minutes in length. Bogart is a tough-as-nails convict who believes that his special treatment by Pat O’Brien – captain of the yard at San Quentin – may be because he is exchanging Bogart’s treatment for his sister’s romantic favors, to put it politely. However, Bogart’s character has misunderstood the entire situation. The two knew each other and began falling for one another before Bogart’s character even went to jail. He decides to escape and give O’Brien the 38-calibre reward he thinks he deserves for dishonoring his sister. Will he come to his senses in time?

Bogart shows up as a supporting player in “Bullets or Ballots” in this set and as a supporting player in several films in the Warner Gangsters Collection. It’s hard to believe that Humphrey DeForest Bogart – now recognized as the greatest actor of the 20th century – had to spend a decade slumming at Warner Bros. in supporting roles before his talent was finally recognized for what it was in 1941′s “High Sierra”. The rest, of course, is history.

In summary, this really is a great set of films supplemented by Warner’s Night at the Movies treatment, commentaries on the films by film historians, and various featurettes on the gangster genre. Highly recommended.

Warner Bros. Pictures Tough Guy’s Collection
If you remember Million Dollar Movie or the Late Show (New York & N.J.) You will love this box set, Picture quality and sound are excellent. This is a “MUST HAVE” in any collection. …

Beware – titles in this box-set originally issued in 2006 are identical to the more recently issued WARNER GANGSTERS COLLECTION VOLUME 2.
Major disappointment as family members purchased both sets as Christmas presents for me this year.
Other than that the titles are just dandy – preference depends on which box art you find more appealing.

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The Warner Gangsters Collection (The Public Enemy / White Heat / Angels with Dirty Faces / Little Caesar / The Petrified Forest / The Roaring Twenties)
Warner Gangsters Collection, Vol. 3 (Smart Money / Picture Snatcher / The Mayor of Hell / Lady Killer / Black Legion / Brother Orchid)
Humphrey Bogart – The Signature Collection, Vol. 2 (The Maltese Falcon Three-Disc Special Edition / Across the Pacific / Action in the North Atlantic / All Through the Night / Passage to Marseille)
Warner Gangsters Collection, Vol. 1 (The Public Enemy / White Heat / Angels with Dirty Faces / Little Caesar / The Petrified Forest / The Roaring Twenties)
Film Noir Classic Collection, Vol. 4 (Act of Violence / Mystery Street / Crime Wave / Decoy / Illegal / The Big Steal / They Live By Night / Side Street / Where Danger Lives / Tension)

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The Middle Passage by VS Naipaul – Save 25% Today!

The Middle Passage by VS Naipaul

Why Buy A The Middle Passage by VS Naipaul?
In 1960 the government of Trinidad invited V. S. Naipaul to revisit his native country and record his impressions. In this classic of modern travel writing he has created a deft and remarkably prescient portrait of Trinidad and four adjacent Caribbean societies–countries haunted by the legacies of slavery and colonialism and so thoroughly defined by the norms of Empire that they can scarcely believe that the Empire is ending.
In The Middle Passage, Naipaul watches a Trinidadian movie audience greeting Humphrey Bogart’s appearance with cries of “That is man!” He ventures into a Trinidad slum so insalubrious that the locals call it the Gaza Strip. He follows a racially charged election campaign in British Guiana (now Guyana) and marvels at the Gallic pretension of Martinique society, which maintains the fiction that its roads are extensions of France’s routes nationales. And throughout he relates the ghastly episodes of the region’s colonial past and shows how they continue to inform its language, politics, and values. The result is a work of novelistic vividness and dazzling perspicacity that displays Naipaul at the peak of his powers.


  • Click here to view our Condition Guide and Shipping Prices
  • Condition: NEW
  • ISBN13: 9780375708343
  • Notes: Brand New from Publisher. No Remainder Mark.

Over 5 Five Star Customer Reviews On Amazon!

Masterful writing
No writer writes with more pointed anger than the young Naipaul, and this book, along with An Area of Darkness, strikes the most strident note of rage. This is not surprising. The young Naipaul reserved his rage for the places, people and things which struck closest to his roots: for An Area of Darkness, India, and for the Middle Passage, even closer, the Caribbean. Although most of the places he writes of in this book have been radically transformed in the forty years since this was written, The Middle Passage is still worth reading. The writing, even when it levels off into casual meanness, is superb. This book amply illustrates Naipaul’s complete mastery as a travel writer. Few writers get to the heart of place, its dark muddled center, than Naipaul, and he lays it out clear, crisp, and pointedly, and then moves on.

wonderful but dated
This wonderful quick read is V.S Naipaul’s travels from Trinidad, to British Guinea through Suriname and then on to Martinique and Jamaica in the early 1960s. The dated feature makes the read fascinating. Here we see how racial issues have surfaced in Trinidad, where the Urban black population is at variance with the rural indian one. We see this through the eyes of an English educated Indian returning home to a nation he both loves and hates. He remarks att he outfite, the attire and aspirations of the people. In Guinea he meets Mr. Jagan, the Indian Communist leader who Naipaul will return to in his book “The Writer and his World”. In Suriname we learn about a dutch colony where race has not been the deciding factor.

Fascinating and poetic this story is a tour of the culture of the caribean. Of transplanted Africans and Indians living on islands and places once inhabited by natives, of the stirrings of colonial peoples and independence. A must read. Full of color, history, insights and amazing characters.

Seth J. Frantzman

A book to read and reread
‘The Middle Passage’ is the account of a sunny journey across the Caribbean in 1960-61. During his travelling, Naipaul enjoys the calypso in Trinidad, takes a memorable hiking trip to the Nutchi falls in British Guyana, travels around the picturesque roads of Martinique, enjoys a cool beer in Brazil, and goes to the beaches of Jamaica and Surinam.

However, Naipaul is not primarily interested in the joys which an average tourist might take from such a dreamt-of holiday. `The Middle Passage’ is a book with a purpose: it seeks to dissect the ways in which different Caribbean territories deal with the legacy of more than 400 years of European domination. There is very much Naipaul doesn’t like about the people living in these (post-)colonial societies. But his sharp eye and elegant prose lead to a cascade of eye-opening, stunning and often merciless observations which makes this book still mandatory reading today.

On the multi-layered social structure of Trinidadian society, Naipaul says: “[The Trinidadian] is adaptable; he is cynical; having no rigid social conventions of his own, he is amused by the conventions of others. [..] If the Trinidadian has no standards of morality he is without the greater corruption of sanctimoniousness.”

On the Indians of British Guyana: “Among more complex peoples there are certain individuals who have the power to transmit to you their sense of defeat and purposelessness: emotional parasites who flourish by draining you of the vitality you preserve with difficulty. The Amerindians had this effect on me.”

On Martinique: “Martinique in the interior is prettily feudal, with a white or coloured gentry and a respectful mass of straw-hatted black people who can only be described as `peasants’, the twentieth-century literary discovery, whose soft manners, acquiescence in their status and general lack of ambition or spirit can be interpreted a `dignity’.”

Finally, on `poor whites’: “[H]ere and there in the West Indies are little groups of `poor whites’, whose poverty is their least sad attribute. [A]merindians `sickened and died’; these Europeans [..] only sickened, and are like people still stunned by their transportation to the islands of this satanic sea.”

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Where To Buy Alpha Video The Terror of Tiny Town starring John Bambury Little Billy Billy Curtis Yvonne Moray Billy Platt At The Lowest Price?

The Terror of Tiny Town starring John Bambury Little Billy Billy Curtis Yvonne Moray Billy Platt

Why Buy A The Terror of Tiny Town starring John Bambury Little Billy Billy Curtis Yvonne Moray Billy Platt?
No Description Available
No Track Information Available
Media Type: DVD
Street Release Date: 02/22/2005
Genre: DRAMA

Over 7 Five Star Customer Reviews On Amazon!

terror in a tiney town
I found this film very fun to watch. I am a Wizard of OZ Collector, and I found it interesting to watch all the midgets that were the munchkins in the 1939 movie “The Wizard of OZ”. All of my Grandchildren watched this movie with my wife and me, and found it to be a fun evening for the family. I have addeded this movie to my Wizard of OZ collection. It is fun to go back and see what actors played what parts in the Wizard of OZ movie. Example, the cook in the movie played the Mayor in the OZ MOVIE. Thanks Tom

This movie is a “hoot”… I first saw it on VHS many yrs. ago and now own the DVD… If you’re in for sheer entertainment and smiles,, watch this one. The good guys wear white,, the bad guys wear black.. Just like the first and I believe only western Humphrey Bogart/Cagney made.. Bogie the villain in black,,, Cagney in white.. Another hoot of a film..

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Where To Buy Lost in America by Marilyn Sachs At The Lowest Price?

Lost in America by Marilyn Sachs

Why Buy A Lost in America by Marilyn Sachs?
You need to learn to smoke, Anne-Marie said firmly. It makes you look sophisticated. Humphrey Bogart smokes, Lauren Bacall smokes, and all the famous artists, like Picasso — at least I think he smokes. We have to make a real American girl out of you.

Seventeen-year-old Nicole wants nothing more than to be a real American girl, but the memories of her family, taken by the Nazis and killed at Auschwitz, continue to haunt her as she struggles to make a new life for herself in a strange land. Noted author Marilyn Sachs tells the story of a determined, resourceful girl, based on the life of her own rel-life friend. By turns funny and poignant, Lost in America is a book you will long remember.

Over 2 Five Star Customer Reviews On Amazon!

A moving story about coming of age
Set just after World War II, Lost In America is the story of a seventeen-year-old girl who has come to America from France. She likes ordinary pleasures such as banana splits, eating chocolate, her warm red coat, and a boyfriend she met on a double date. But her aunt pressures her to take up smoking to become a “real American girl”, and making a new life for herself in a strange land offers greater challenges every turn., and memories of losing her family to the murderous campaign of the Nazis haunt her. A moving story about coming of age from Marilyn Sachs, author of more than thirty-five award-winning books and coeditor of the acclaimed “The Big Book for Peace”.

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Joan Blondell A Life between Takes Hollywood Legends by Matthew Kennedy – Save 34% Today!

Joan Blondell A Life between Takes Hollywood Legends by Matthew Kennedy

Why Buy A Joan Blondell A Life between Takes Hollywood Legends by Matthew Kennedy?
Joan Blondell: A Life Between Takes is the first major biography of the effervescent, scene-stealing actress (1906-1979) who conquered motion pictures, vaudeville, Broadway, summer stock, television, and radio.

Born the child of itinerant vaudevillians, she was on stage by age three. With her casual sex appeal, distinctive cello voice, megawatt smile, luminous saucer eyes, and flawless timing, she came into widespread fame in Warner Bros. musicals and comedies of the 1930s, including Blonde Crazy, Gold Diggers of 1933, and Footlight Parade.

Frequent co-star to James Cagney, Clark Gable, Edward G. Robinson, and Humphrey Bogart, friend to Judy Garland, Barbara Stanwyck, and Bette Davis, and wife of Dick Powell and Mike Todd, Joan Blondell was a true Hollywood insider. By the time of her death, she had made nearly 100 films in a career that spanned over fifty years.

Privately, she was unerringly loving and generous, while her life was touched by financial, medical, and emotional upheavals. Meticulously researched, expertly weaving the public and private, and featuring numerous interviews with family, friends, and colleagues, Joan Blondell: A Life Between Takes traces the changing face of Twentieth Century American entertainment through the career of this extraordinary actress.

Over 20 Five Star Customer Reviews On Amazon!

Biographing Blondell
A long-overdue treatment of a wonderful star, lovingly rendered and meticulously researched. It’s about time this lady gets the attention she so richly deserves.

One of the good ones.
This is one of the good celeb bios. When you’re through, you feel you know something about Blondell. When I was young, Joan Blondell was a houseohold word. Everybody knew who she was, even though she wasn’t as big a star as Davis, Crawford et. al. Yet she was a touchstone of sorts — she’s a regular Joan Blondell, or she’s the Joan Blondell type. Those were quips I remember hearing. It was always a treat to see her in a movie or on TV, and she had a way of cropping up where you least expected to see her. And when she did, everybody knew who she was and everybody loved her. There wasn’t a phony bone in her body and that came across in everything she did and said. I remember reading an interview with her in the Sunday New York Times back when she was doing the Moon Marigolds (or whatever it was), the part she didn’t like. But she handled it like a pro and in the article, the writer stated that Joan Blondell was one of the few celebrities she had ever interviewed who was not a disappointment in real life. That says it all, really. For all of her misfortunes, she never lost track of who she was, and it never made her bitter or self-pitying. In this day of nonsense publicity and mud-slinging and back-biting, it is refreshing to read about someone who handled fame as well as Joan Blondell. This book gives you the details and let’s you see the woman she was.

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