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Tag Archive 'Penguin Classics'

Guys Dolls and Curveballs Runyon on Baseball – Save 22% Today!

Guys Dolls and Curveballs Runyon on Baseball

Why Buy A Guys Dolls and Curveballs Runyon on Baseball?
Guys, Dolls, and Curveballs is a delightful collection of ballpark dispatches from one of the game’s most unique chroniclers—Damon Runyon, the legendary reporter and creator of such mythic gangster icons as Nathan Detroit and the Lemon Drop Kid. Best known as the bard of Broadway for turning two-bit hustlers and deadbeat horseplayers of Jazz Age New York City into literary legend, Runyon was first and foremost a newspaperman. After arriving in New York from Colorado in 1911, Runyon went to work for Hearst News Service as a baseball beat writer. It was at the ballpark that he honed his legendary skills for finding the story where no one else bothered to look.

A master wordsmith, Runyon covered giants of the era such as Ty Cobb, and a Boston Red Sox pitcher named Babe Ruth. In addition, he brought an influential style to observing the rituals and rhythms of the ballpark, wryly commenting on everything from the gamblers and bookies doing business to the particular style of hat worn by a woman in the crowd. Editor Jim Reisler collects Runyon’s writings on every facet of the game, making this a unique and indispensable look at our beloved pastime.

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Guys and Dolls and Other Writings (Penguin Classics)
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Damon Runyon on Broadway: More Than Somewhat. Furthermore. Take It Easy

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The Outlaws of Sherwood by Robin McKinley – Save 20% Today!

The Outlaws of Sherwood by Robin McKinley

Why Buy A The Outlaws of Sherwood by Robin McKinley?
New York Times bestselling author Robin McKinleys vivid retelling of the classic story of Robin Hood breathes contemporary life into these beloved adventures-with Marian taking a pivotal role as one of Robins best archers.

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  • Condition: NEW
  • ISBN13: 9780441013258
  • Notes: Brand New from Publisher. No Remainder Mark.

Over 67 Five Star Customer Reviews On Amazon!

I loved this book
I think that this was a very good book. It clearly described each member of Sherwood forest, their attitudes, strenghths, weaknesses etc.
I especially loved Cecily and her mysterious “secret”. It also struck me how she used a comparatively small character to save Robin Hood’s life at the end. It was ironic how Robin Hood was made out not to be such a good fighter, but mainly a peaceful kind of guy who was happiest when he was alone, even though he is supposed to be known for his archery.
I didn’t really like the ending. I think that the Lionheart should have given them each a full pardon and that Robin should have gotten his father’s land back. She also never mentioned what happened to Marion’s father and who ran her father’s estates.
All in all, I think that this was an excellent book, apart from the few loose threads that she didn’t tie up in the end. I loved this book.

Angieville: THE OUTLAWS OF SHERWOOD
I have a thing for Robin Hood. Specifically Robin Hood retellings. I love Robin, Marian, Little John, Will Scarlet, Much the Miller, Alan-a-Dale, and the whole merry crew. I read Ivanhoe (Penguin Classics) cover to cover just for Robin Hood’s periodic appearances. And when I went on study abroad to England, I dragged my best friend all the way to Nottingham and Sherwood Forest as well so I could walk around in the woods and soak it all up. It’s still one of the happiest, most golden days I can recall, that one. My first encounter with the tale itself was no doubt the Disney animated version (which I still love watching with my son), but I’m pretty sure the first actual novelization I read was Robin McKinley’s THE OUTLAWS OF SHERWOOD. And it remains my very favorite to this day. Admittedly, I seem to possess the McKinley gene. I love her writing. I love the unexpected, twisty paths she takes, the obstinate characters, and the wry humor. True to form, her Robin is not the typical Robin of legend. If you cherish the strapping, dashing, swashbuckling hero a la Errol Flynn, then this version is probably not for you. But if you like an unusual, but beautifully wrought, take on a classic then you really ought to give this one a shot.

The story opens with the following lines:

A small vagrant breeze came from nowhere and barely flicked the feather tips as the arrow sped on its way. It shivered in its flight, and fell, a little off course–just enough that the arrow missed the slender tree it was aimed at, and struck tiredly and low into the bole of another tree, twenty paces beyond the mark.
Robin sighed and dropped his bow.

Robin is on his way to Nottingham Fair to meet his childhood friends Marian and Much and have a bit of well-earned frivolity. As an apprentice forester in the King’s Forest, Robin barely scrapes by and his days off are few and far between. Unfortunately, while on his way he is ambushed by a few of the Chief Forester’s men who have had it in for Robin for years. No one is more surprised than Robin when he wins the resulting archery contest and the skirmish ends in an attempt on his life and Robin’s arrow buried in his attacker’s chest. From this point on Robin is a wanted man. His friends convince him to go into hiding while they work up a plan to keep their friend alive and prevent the Norman overlords from raining down punishments on all the Saxons’ heads as a result of Robin’s “crime.” Against his better judgement, Robin goes along with Much and Marian’s plan and, in the process, he becomes a hero–albeit a reluctant one.

There is so much good in this book and it all centers around the characters. Either you will fall in love with Robin or you will not. And if you love Robin, then you will love all of the characters for they gather around him despite his adamant refusal that he is no hero because they need him. Marian and Much, his old friends, see this. They understand it and they try to help Robin understand it. Their love for him, their need to believe in him, and their willingness to walk away from their homes and their lives to follow him into hiding in Sherwood Forest reflect the desperate nature of the times and the ways in which this good man is able to inspire and take care of other good men and women like him who have been caught in the ever-tightening vise of Norman justice. I love watching this transformation, this coming together of such a motley band of comrades. Every time I read it I savor each one. And, as with any McKinley book, if you’re a fan of strong female characters who do not do what they are expected to do, then this book is for you. Marian is awesome. It’s Marian who is the excellent shot. It’s Marian who has the vision and who knows Robin’s potential before he does. It’s Marian who risks more than anyone else to create the legend and keep it alive. There is one other standout female character, but I can’t tell you any more than that as she is so excellent she must be discovered entirely on her own. Along with Deerskin, I think this is the most emotional of McKinley’s works because it is as grounded in reality as any retelling I’ve read. THE OUTLAWS OF SHERWOOD is an emotional, subtly humorous, visceral take on the legend and I cannot recommend it highly enough.

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The Door in the Hedge
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The Sagas of Icelanders Penguin Classics Deluxe Edition – Save 32% Today!

The Sagas of Icelanders Penguin Classics Deluxe Edition

Why Buy A The Sagas of Icelanders Penguin Classics Deluxe Edition?
A unique body of medieval literature, the Sagas rank with the worlds greatest literary treasures-as epic as Homer, as deep in tragedy as Sophocles, as engagingly human as Shakespeare. Set around the turn of the last millennium, these stories depict with an astonishingly modern realism the lives and deeds of the Norse men and women who first settled Iceland and of their descendants, who ventured further west-to Greenland and, ultimately, the coast of North America itself.

The 10 Sagas and seven shorter tales in this volume include the celebrated Vinland Sagas, which recount Leif Eirikssons pioneering voyage to the New World and contain the oldest descriptions of the North American continent.

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  • ISBN13: 9780141000039

Over 36 Five Star Customer Reviews On Amazon!

Vikings in real life
This is an excellent collection of the sagas which have been translated into English by sundry authors.
The first saga in this tome is that of Egil Skallagrimsson. It is long, detailed, and essential reading for any student of viking age Scandinavia.
I, in fact, purchased this book so that I would own Egil’s Saga, but I have been enjoying the rest of the sagas as well.

Breakneck Plotting and Broken Necks
The Icelandic sagas are a magnificent and still underrated landmark of medieval literature. They are unadorned, realistic prose narratives from an age that is otherwise best known for its religious and baroque tendencies; they are concise where most medieval literature is painfully diffuse; they deal with violence in a familiar and unsentimental manner (”He twisted the tail of his cloak around Thorbjorn’s throat and bit through it, then snapped his head back, breaking his neck. With such rough treatment Thorbjorn quietened down considerably.”) and the plots often move extremely rapidly, but the better sagas also have moments of great psychological insight. In short, they’re a must-read.

This selection offers good value for money: it includes a lot of sagas, and — unlike many paperbacks its size — uses high-quality paper, and is well-bound and not especially liable to disintegrate. It is also just about light enough that you can read it in bed. Some of the most famous sagas — “Njal’s Saga” and “Grettir’s Saga” in particular — have been omitted. Some omissions were inevitable, because of space, but the omission of “Njal’s Saga” was still unfortunate. (If you’re unfamiliar with the sagas, read Njal’s first: it’s a much more effective hook than any of the others.) On the other hand, several of the shorter sagas in this volume are excellent and less than famous — e.g. the saga of Gunnlaug Serpent-Tongue and the tale of Sarcastic Halli. The introduction is thorough if somewhat boring, and the maps, charts, and genealogies are invaluable. The translations range from adequate to solid — sometimes awkward but at least never archaic.

Icelandic Sagas
I guess any attempt to provide a selection of anything will meet with some disgruntlement, in terms both of what is included and what is omitted. Based on some of the comments, this volume is apparently no exception. Although at 780+ pages, the editors didn’t exactly skimp in terms of what they decided to include.

First, to state what this book is not: it is not a collection which includes the semi-legendary sagas, such as Hrolf-Kraki and the Volsungs. It does not contain any King’s sagas, such as in the Heimskringla. It is not concerned with any of the Sturlung Sagas of later Icelandic history. It does contain a very strong representative selection from among the Icelanders’ Sagas, that is those that take place in Iceland, or whose protagonists are Icelanders abroad, during and just after the Viking Age. Finally, it does not contain every one of such sagas.

The book contains Egil’s Saga, as well as the Vatnsdaela, the Laxardaela, Hrafnkel Frey’s Godi, The Confederates, Gisli Sursson, Gunnlaug Serpent-Tongue, Ref the Sly, and the Vinland Sagas, as well as 6 short prose tales of other Icelanders, usually in foreign service.

There is a great deal of supplementary information about the different kinds of sagas, Ages of Icelandic history, Viking ship types, Icelandic social and political structure, the Icelandic calendar, as well as a generous dose of genealogical tables and maps of Iceland, Norway, Vinland, etc. with detail maps showing the action of the separate sagas.

I won’t waste space describing the sagas themselves, under the assumption that someone considering purchasing this book has read at least one saga, and so knows what to expect from the genre. But I can’t resist quoting an Icelandic scholar referred to in the introduction, who describes the Icelandic sagas as “farmers at fisticuffs.”

I also own Njal’s Saga, and once I acquire the Book of Settlements, these two works in addition to the present collection will probably complete my Icelandic saga needs, because this work is so thoroughly and attractively assembled.

I also recommend Viking Age Iceland by Jesse Byock as a companion volume to this one.

Classical Icelandic Literature
~The Sagas of Icelanders: Penguin Classics Deluxe Edition~ is an intriguing collection of prose describing life and events in Iceland during the 10th and 11th centuries. They are extraordinary specimens of Icelandic literature. Icelanders were prominently of Nordic Viking descent and were also amalgamated with Celtic/Gaelic peoples whom they often took as wives. Their adopted homeland was not inhabited until after the 9th century. Iceland is a desolate landscape of basalt and lava beds, punctuated by volcanoes, geysers, and glaciers, which makes it the site for some epic adventures. The image of the Vikings that inhabited this land is varied. Some see them as noble, genius at maritime skill and navigation, prolific traders and explorers. Others regard them as savage marauders who loot and plunder. The later Norsemen in these Sagas were more tempered than the ones of the earlier centuries.

Iceland was very unique amongst European societies from the tenth to thirteen centuries. It had no executive administration, king or monarch to speak of, but rather a complex sophisticated system of legislative and judicial institutions. The Althing served as a national assembly. Regional quarter courts were set up for adjudicating disputes. Iceland was kinship society. Whenever blood feuds and disputes arose, the offending party or parties could seek the support of his family and a tribal chief. Kinship as a concept is integral to understanding the Sagas. It involves a sense of familial belonging not unlike the Celtic clan system. The de facto government would often broker peace so as to meditate conflict, but sometimes conflicts turned deadly when personal vengeance was sought to avenge perceived wrongs.

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The Saga of Grettir the Strong (Penguin Classics)

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Gargantua and Pantagruel Penguin Classics by Francois Rabelais – Save 32% Today!

Gargantua and Pantagruel Penguin Classics by Francois Rabelais

Why Buy A Gargantua and Pantagruel Penguin Classics by Francois Rabelais?
A masterly new translation of Rabelais’s robust scatalogical comedy

Parodying everyone from classic authors to his own contemporaries, the dazzling and exuberant stories of Rabelais expose human follies with mischievous and often obscene humor. Gargantua depicts a young giant who becomes a cultured Christian knight. Pantagruel portrays Gargantua’s bookish son who becomes a Renaissance Socrates, divinely guided by wisdom and by his idiotic, self-loving companion, Panurge.

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Over 4 Five Star Customer Reviews On Amazon!

A Book for Those Who Love Bawdy and Bathroom Humor
This book is the best one I have ever read for using sexual and execretory references for effective satire. The optimal reader is probably a boy aged 8-13 who loves to explore the world from this perspective already. Older readers will enjoy the social commentary as well, but may not revel in the means of the commentary unless they like extensive references to bodily functions.

The use of the humor in this book is like slapstick is to comedy, its most outrageous and least restrained form.

No one can stay grumpy while reading this book. It may be the only literary solution for depression ever developed.

Obviously, if you can read French, it is even better in the original.

Many people will choose not to read this book because of the earthy nature of the language. That is probably a mistake, because those who make that choice are suffering from the unattractiveness stall, not seeing the swan in the ugly duckling. Earthy humor can be a great way to communicate, in the appropriate circumstances. You owe it to yourself to learn how a master, Rabelais, does it.

As a tip to the reader who has more sensitive tastes, I suggest you skip through to the end of sections that are bothering you. The very next section may well be one that leaves you in uncontrolled laughter, irresistibly lightening your mood.

Have a great laugh!

I thought I had a warped sense of humor
I discovered Rabelais while reading Durant’s Story of Civilization. After reading such a strong endorsement I decided to get a copy of his works to see if he was really as good as was described. I’ve always had a somewhat different sense of humor (I love Monty Python), and have always liked satire; so I thought I would like Rabelais. It turns out I really liked him. Sometimes he was a bit crude for my tastes, but he was hilarious.

In general I liked the first two books more than the later books. They were a little more wild and inconsistent, but a lot more fun. Panurge was probably my favorite character in the first book; in the third book he was a key character, but by the last two books he was a somewhat annoying character.

A quick summary of the books is below. Pantagruel is the story of the birth and early life of the Giant Pantagruel, which was probably the most hilarious of the books. Gargantua is the story of the birth and life of Panagruel’s father Gargantua; this was also quite funny covering several topics. The 3rd book of Pantagruel contains two main themes; the first is a discussion between Pantagruel and Panurge on debtors and borrowers. Panurge gives the funniest discourse on the need for debtors I have ever seen. The rest of the book tells of Panurge consulting every imaginable method of seeing the future to see if he should marry. The 4th book is basically a travel log similar to Gulliver’s travels where Pantagruel and his friends go on a long sea trip finding many interesting lands. The 5th book is a continuation of the 4th book. Note that the 5th book is of questionable authorship.

As far as the translation goes, I was impressed; but note that this is the only translation I have read. I found the prose very understandable, but appreciated the footnotes where I didn’t understand it. The footnotes were also useful to me since I am a neophyte in 16th century French life and culture. Screech did a good job explaining things including the literature Rabelais was referring to.

I highly recommend this book to anyone looking for a good introduction to Rabelais. It would be good for many of our modern comedy writers to read these books to give them some better ideas for TV shows and movies. I’m convinced the Monty Python writers must have read Rabelais.

Much fun
Gorgeously edited by Screech, this is an overwhelming joy to read, and well worth getting if you have any interest in Bakhtin.

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Michel de Montaigne – The Complete Essays (Penguin Classics)

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The Essays A Selection Penguin Classics by Michel de Montaigne – Save 32% Today!

The Essays A Selection Penguin Classics by Michel de Montaigne

Why Buy A The Essays A Selection Penguin Classics by Michel de Montaigne?
To overcome a crisis of melancholy after the death of his father, Montaigne withdrew to his country estates and began to write, and in the highly original essays that resulted he discussed themes such as fathers and children, conscience and cowardice, coaches and cannibals, and, above all, himself. On Some Lines of Virgil opens out into a frank discussion of sexuality and makes a revolutionary case for the equality of the sexes. In On Experience he superbly propounds his thoughts on the right way to live, while other essays touch on issues of an age struggling with religious and intellectual strife, with France torn apart by civil war. These diverse subjects are united by Montaignes distinctive voice – that of a tolerant man, sceptical, humane, often humorous and utterly honest in his pursuit of the truth.

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  • ISBN13: 9780140446029
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Over 3 Five Star Customer Reviews On Amazon!

Wherever we read we meet the man
Montaigne goes on his adventures of mind, and explores worlds seemingly far from his own , and yet always somehow leads us back to himself. His digressions and his ramblings in thought mark a new stage of discovery in the human mind’s quest to know and understand itself. Like his great contemporary Shakespeare he belongs to an old world dying, and a new world not yet quite born which he in straddling makes anew.
Whatever the subject he opens up for those who come after a new way of thinking and exploring.

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Hegel: Reason in History
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